Neil De Marchi
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Recent publications include:
“Size and Taste. Taking the Measure of the History of Art Markets,” in S.Cavaciocchi (ed.), Economia e Arte. Secc. XIII-XVIII (Florence: Le Monnier 2003), 78-91;
“Auctioning paintings in late Seventeenth-Century London: Rules, Segmentation and Prices in an Emergent Market,” in Victor A. Ginsburgh (ed.), Economics of Art and Culture (Amsterdam: Elsevier 2004) 97-128;
“Visualizing the gains from trade, mid-1870s to 1962,” with the assistance of E.Roy Weintraub, European Journal for the History of Economic Thought, 10 (2004), 551-72;
“Smith on Private Provision of the Arts,” (with Jonathan A. Greene) in History of Political Economy 37 (2005), special issue on Economists’ Cases for the Arts;
“The History of Art Markets,” (with Hans J. Van Miegroet), ch. 3 of Elsevie-North Holland Economic Handbook of Art and Culture, edited by Victor Ginsburgh and David Throsby (2005).
Among forthcoming publications are:
“Mapping Markets for Paintings in Europe, 1450-1750, edited (with Hans J. Van Miegroet), with support of Luce Foundation grant (Tunrhout: Brepols, in press);
“The Paintings Trade, 1450-1700,” (with Louisa C. Matthew), to appear in Franco Francheschi, Richard A. Goldthwaite and Reinhold C. Mueller eds, L’Italia e l’economia europea nel Rinascimento: commercio e cultura mercantile (in preparation).
